Israeli posters created during the first three decades of statehood express ideas central to constructing national identity. The article argues that posters produced by the state and its official agencies show the complex relationship between democracy and Judaism, as well as gender and ethnic difference. Democracy was represented by manifestations of modernity, progress, gender equality, and ethnic difference; religious symbols and narratives represented Judaism. These elements were visually integrated in posters, and express the complexities of Israeli democracy, as well as changing attitudes towards difference and Judaism. The article demonstrates that designers enlisted sophisticated means of both abstract and figurative artistic devices to mediate these ideas, making a significant contribution to the construction of Israeli visual culture.


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pp. 48-76
Launched on MUSE
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