Acting-Intuition and the Achievement of Perception: Merleau-Ponty with Nishida

This essay draws on Nishida’s ontology to shed light on some problems with Merleau-Ponty’s view of truth, a view that has difficulty accounting for the expression in language of that which is distorted, mistaken, or untruthful. To get past these difficulties, it is suggested that we turn to the more dynamic and developmental vision of the continuity of being found in Nishda’s work.