Abstract

Abstract:

This essay presents an account of Alice Oswald's first two collections of lyric poems, The Thing in the Gap-Stone Stile and Woods etc., and her book-length river-poem Dart. The essay claims that Oswald is above all a Heraclitean and Ovidean poet, a poet concerned to disclose the place of metamorphosis and mimesis in all of life, and it concludes with a reading of Dart as a poem that traces the capacious conversation between the voices of a river (as it flows from source to sea) and the voices of the people living beside and working on the river.

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