Abstract

A consideration of the two journals bearing the title Transition: the pre-war journal edited by Eugene Jolas and the postwar journal edited by Georges Duthuit, respectively. This study demonstrates each editor’s highly self-conscious approach to defining and encapsulating modernist aesthetics of unique time, place, and experience. More importantly, perhaps, the evolving dialogues and editorial practices of these two journals reveal a corresponding evolution from high to late modernism.

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Additional Information

ISSN
2152-9272
Print ISSN
1947-6574
Pages
pp. 48-73
Launched on MUSE
2017-07-10
Open Access
No
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