Abstract

Select secondary literature regarding J. M. Coetzee's novel Disgrace frames Lucy Lurie's response to rape, or the apparent lack thereof, as a passive collusion with the degrading message of rape's native violence. In this essay, I deconstruct such a reading by exposing its conceptual prejudices regarding silence, agency, public speech, and the preemptive use of abstract terms. Taking Lucy's reticence as the guiding clue, I offer an alternative conceptual language to elucidate her hushed resolve and proactive silence.

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