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  • A Big True
  • Dina Nayeri (bio)

Standing outside her locked door, he scanned his memory for places Yasmine might have gone—a drink? A day-trip? He walked the forty blocks back to Port Authority, spending most of it knotted in regrets and daydreams. He adjusted his earbuds, turning up the sound on the 1970s Turkish folk player he had found, his late father's colleague. The ragged old hippie droned in Rahad's ear as he walked, the sound crossing oceans and decades. Every time he heard this song, he remembered the singer's thick moustache, the way he seemed to sing through it. He missed Yas. Against all reason and recent memory, he had imagined her delighted to spend an afternoon together, indulging in a bottle of smoky red. If he had taught her nothing else, at least she had kept this: an hour isn't squandered if you taste a good wine, if you fill your ears with good music. He had convinced himself that such a visit would be possible, if he could just survive her initial surprise and anger—he hadn't considered that she may be spending the day elsewhere.

The last time he showed up unannounced, his welcome was a long, dramatic sigh. "I called, azizam," he said, deflecting the lecture he knew was brewing in her head. He didn't set down his overnight bag or sitar case for fear of her anger, but in the end, she invited him in. "I called many times," he said and moved past her. "You don't check your messages. I got tired of waiting." That was months ago.

Today he had rung her doorbell again and again, shifted his bag and case to his left shoulder, and glanced up at her girlish, sea-green curtains, before turning north to catch a bus to Wilmington. His cheeks flushed—he had believed she would invite him to stay for a night or two. He had believed with such force. Never mind, he thought; that afternoon he would move into the Wilmington YMCA, his fourteenth in six years, but better not to make a spectacle of it. Since the death of her mother when she was six, Yasmine suffered from a kind of hysteria triggered only by his various superficial prospects.

He shook his phone for a new song, losing himself in one by Thom Yorke—oh, how he loved Western music. How glorious, whatever the style. Secretly, he liked [End Page 483] it far more than the Iranian sitar classics he had played to spellbound crowds in Tehran. Maybe later he would post this song and collect the likes, lucky amulets to carry on the road. This meager attention helped him fend off the suffering over Yasmine and Iran, his vanished self, his music. His father, the elder ustad Sokouti, had been a world-renowned master of seven string instruments, and Rahad a celebrated sitarist and music teacher—but no ustad, no master. Still, he had a voice. But by the time the blood reached his daughter, it seemed all artistry had been strained out. Who, then, would remember those heady Tehran nights?

On the bus, he posted and waited. The song was bad bait—only four likes. He felt ashamed for the display: a serious Iranian musician, in his fifties no less, posting the songs of American teenagers who have no musical education. No, no, Yorke was good, and not even an American.

Now Yasmine appeared at the top of his feed. Ah. She was spending the weekend in Connecticut. He was tempted to like it, but refrained. She blocked so willy-nilly lately, and since he reopened his account, she had liked nothing of his. Where was the dignity of fatherhood? Yesterday, fifteen people had liked his post; but from her, nothing.

In Wilmington, the April air was crackling and fresh—none of the wet, cold residue of winter that covered New York—and the walk from the bus station revived him. Before long he saw it, the brown brick, the blue sign: young men's christian association. He was neither a young man nor a Christian, though he was willing to pretend...

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