Index to Volume XIII (1979)

Index to Volume XIII (1979) Brater, Enoch Time and Memory in Pinter’s Proust Screenplay . ii 121 Buhr, Richard J. Epistemology and Ethics in Tom Stoppard’s Professional Foul . iv 320 Cary, Cecile W. The Iconography of Food and the Motif of World Order in Friar Bacon and Friar Bungay . ii 150 Dane, Joseph A. The Ovids of Ben Jonson in Poetaster and in Epicoene iii 222 Davidson, Clifford On the Uses of Iconographie Study: The Example of the Sponsus From St. Martial of Limoges . iv 300 Ganz, Arthur The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw . iii 187 Holland, Peter The Director Intervenes: Christopher Hampton’s Savages ii 142 Johnston, Brian The Demons of John Gabriel Borkman . . . i 17 McGrath, F. C. Paterian Aesthetics in Yeats’ Drama . . . i 33 McKilligan, K. M. Theory and Practice in French Wagnerian Drama: Édouard Dujardin and La Légende d’Antonia . . . iv 283 Mooney, Michael E. “Framing” as Collaborative Technique: Two Middleton-Rowley Plays . . ii 127 Robinson, J. W. An Interlude or Mystery Play by William Ireland 1795 . . . .. iii 235 Roth, Marc À. The Sound of a Poet Singing Loudly: A Look at Elegy for Young Lovers . ii 99 Skey, Miriam A. Herod the Great in Medieval European Drama . . . iv 330 Smith, Leslie Edward Bond’s Lear . . , •■. . i 65 383 384 Comparative Drama Spector, Stephen Anti-Semitism and the English Mystery Plays . i 3 Styan, J. L. High Tide in the London Theatre: Some Notes on the 1978-79 Season . iii 252 Viswanathan, S. Sleep and Death: The Twins in Shakespeare . i 49 Wasson, John The Morality Play: Ancestor of Elizabethan Drama? . iii 210 REVIEWS SPRING: The Saint Gall Passion Play, trans. Larry E. West (John E. Tailby); Savage Comedy: Structures of Humor, ed. Kenneth S. White (Marilyn Gaddis Rose); Sheridan's Comedies: Their Contexts and Achievements, by Mark S. Auburn (Judith Milhous); Literature as Opera, by Gary Schmidgall (John Henry Raleigh). SUMMER: The Walter Scott Operas, by Jerome Mitchell (John Ehrstine); Eng­ lish Drama: Forms and Development. Essays in Honor of Muriel Clara Bradbrook, ed. Marie Axton and Raymond Williams (Rolf Soellner); The Masks of Macbeth, by Marvin Rosenberg (J. L. Styan); The Beaux’ Stratagem, ed. Charles N. Fifer (Eric Rothstein); Shakespearean Representation: Mimesis and Modernity in Eliza­ bethan Tragedy, by Howard Felperin (W. David Kay); Fields of Play in Modern Drama, by Thomas R. Whitaker (Frederick P. W. McDowell). FALL: The Ways of the World: Comedy and Society, by Robert B. Heilman (Thomas B. Stroup); The Two Faces of Ionesco, by Rosette Lamont and Melvin Friedman (Leonard C. Pronko); Ibsen: A Dissenting View, by Ronald Gray (Otto Reinert); Studies in the Continental Background of Renaissance English Literature: Essays Presented to John L. Lievsay, ed. Dale Randall and George Williams (J. A. Bryant, Jr.); Poetic Drama as Mirror of the Will, by Michael Black (Judith Milhous); Jonson and Elizabethan Comedy: Essays in Dramatic Rhetoric, by L. A. Beaurline (Mark Eccles); Script into Performance: A Structuralist View of Play Production, by Richard Hornby (Ina Rae Hark); Shakespeare Survey 30 (Henry IV to Hamlet), ed. Kenneth Muir (John W. Velz); Role-Playing in Shakespeare, by Thomas Van Laan (Marvin Rosenberg). WINTER: From Büchner to Beckett: Dramatic Theory and the Modes of Tragic Drama, by Alfred Schwarz (Enoch Brater); The Second Maiden’s Tragedy, ed. Anne Lancashire (Christopher Spencer); Martin Walser: The Development as Dramatist 1950-1970, by Anthony Edward Waine (Gerald A. Fetz); Aristophanes, by Lois Spatz (Peter Arnott); Shakespeare in the Theatre, by Richard David (W. L. Godshalk); The Esthetic of Jean Cocteau, by Lydia Crowson (James Coakley); Oktoberrevolution und Sowjetrussland auf dem deutschen Theater: Zur Verwendung eines geschichtlichen Motivs im deutschen Schauspiel von 1918 bis zur Gegenwart, by Gunter Reus (Reinhart Jost); Shakespeare’s Tragedies, by Phyllis Rackin (David A. Richardson); Edward Albee: The Poet of Loss, by Anita M. Stenz (Terry Otten). ...