Contributors

Contributors ARTHUR GANZ teaches in the English Department at The City College of CUNY and has published numerous articles on modem playwrights (e.g. Ibsen, Wilde, Synge, Chekhov, Giraudoux, Miller) in PMLA, Modern Drama, The Ameri­ can Scholar, and other journals. Professor Ganz is the editor of the volume on Pinter in the Twentieth Century Views series. JOHN WASSON, Professor of English at Washington State Uni­ versity, teaches Shakespeare, early drama, and paleography. He has collected the dramatic records of Suffolk and (with David Galloway) of Norfolk for the Malone Society, and is currently collecting the dramatic records of Devon for Records of Early English Drama on an NEH fellowship. JOSEPH A. DANE received his Ph.D. in Comparative Liter­ ature from Columbia University and is presently working at Columbia under a research fellowship. His recent work includes articles on various aspects of medieval and classical art and literature in current or forthcoming issues of Ger­ manic Review, Studies in Iconography, Vivarium, and Classical Folia. JOHN W. ROBINSON is Chairman of the Department of Eng­ lish at the University of Nebraska. He is the author of articles about the early English drama in PMLA, Modern Philology, the Journal of English and Germanic Philology, Studies in Philology, and elsewhere, and of Theatrical Street Ballads (1971). He is also co-author of English Theatrical Literature 1559-1900: A Bibliography (1970). JOHN L. STYAN is Professor of English at Northwestern Uni­ versity and the author of numerous books on drama, including The Dark Comedy, Shakespeare’s Stagecraft, Chekhov in Performance, and The Challenge of the Theatre. ...