Contributors

Contributors ROBERT P. MERRIX is Associate Professor of English at the University of Akron. Professor Merrix has published essays and reviews in Shakespeare Studies, English Literary Renaissance, Modern Language Studies, Studies in English Literature, and Seventeenth-Century News. ARTHUR L. PALACAS is Assistant Professor of English at the University of Akron. He has written on phonological and syntactic theory and is currently working on the seman­ tics and pragmatics of intersentence connections. FLETCHER COLLINS, JR., is Professor Emeritus at Mary Baldwin College, and has directed and produced most of the complete medieval music-dramas. He is known for his two books in that field, The Production of Medieval Church Music-Dramas (1972) and Medieval Church MusicDramas : A Repertory of Complete Plays (1976), and for his color film of the Fleury Visitatio Sepulchri, which with an NEH grant was produced by Theater Wagon in 1979. SAMUEL G. McLELLAN is an Instructor of English and a doctoral candidate in Germanic Language and Literature at the University of Texas at Austin, where he is currently at work on a structural study of nineteenth-century Scan­ dinavian drama. JUDITH DUNDAS is Associate Professor of English at the University of Illinois at Urbana-Champaign. Her publica­ tions include articles on Spenser, George Herbert, and Ben Jonson, as well as essays on the theory and practice of ut pictura poesis. FELICIA HARDISON LONDRE is Associate Professor of Theatre at the University of Missouri, Kansas City. Pro­ fessor Londre is the author of Tennessee Williams (Ungar, 1979), and Ungar will also publish her Tom Stoppard and Federico Garcia Lorca (World Literature Monographs) in 1981. THOMAS P. ADLER is Associate Professor of English at Purdue University. Professor Adler has published widely on modem drama, with essays on O’Neill, Williams, Albee, and Pinter in Modern Drama, Arizona Quarterly, Renas­ cence, and Theatre Journal, among others, and a book on Robert Anderson. ...