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Contributors JONAS A. BARISH is Professor of English at the University of California, Berkeley. He has written on Ben Jonson and other Elizabethan and later dramatists, and is currently completing a study of the antitheatrical prejudice. JUNE SCHLUETER is presently working as a paralegal in New York, holds a Ph. D. in English from Columbia University, is co-author of The Twentieth Century British Novel: A Checklist of Twentieth Century Criticism, forthcoming from Swallow Press. KATHLEEN FALVEY teaches Old and Middle English litera­ ture and comparative drama at the University of Hawaii at Manoa. Professor Falvey is currently preparing a collection and study of medieval Italian confraternity plays in their original dialects and English translation. THOMAS B. STROUP is the author of Microcosmos: The Shape of the Elizabethan Play and Religious Rite and Cere­ mony in Milton’s Poetry, as well as of some hundred articles and reviews on English Renaissance drama. He is Professor Emeritus of English at the University of Kentucky. LOUIS ADRIAN MONTROSE is Assistant Professor of English in the Department of Literature, the University of California, San Diego (La Jolla), where he teaches courses in Renais­ sance literature. He is currently engaged in projects that analyze texts of Shakespeare, Spenser, and Elizabethan court writers in their socio-cultural contexts. ...

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Additional Information

ISSN
1936-1637
Print ISSN
0010-4078
Launched on MUSE
2018-07-11
Open Access
No
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