Contributors

Contributors KATHERINE EATON is a doctoral candidate in comparative literature at the University of Wisconsin, Madison, where she is writing a dissertation on Meyerhold and Brecht. She has published an article on the medieval Spanish novel La Celestina in an issue of Annali dell’ istituto universitario orientale (Naples). THERESA COLETTI recently completed her doctorate at the University of Rochester and now is Assistant Professor of English at the University of Maryland, She is currently working on a monograph on patronage as related to art and drama in the late Middle Ages. ANNABELLE HENKIN MELZER teaches in the Theatre De­ partment of the University of Tel Aviv. She has written on the French theatre of the avant-garde, and her pieces on dada performance have appeared in Artforum. Her inter­ view with the late Robert Aron, co-founder of the Théâtre Alfred Jarry, will shortly be published in Theatre Research International. JOHN SCOTT COLLEY is an associate professor of English at Vanderbilt University. Professor Colley has published articles on Shakespeare, Kyd, Marston, and Jonson, and is completing a book on sixteenth-century English drama. At present, Mr. Colley is a visiting scholar at Cambridge University. WILLARD BOHN has taught at Brandeis University and is currently a Research Fellow in Comparative Literature at the University of California, Berkeley. A specialist in the European avant-garde, 1900-1930, he has published articles on Apollinaire, Ardengo Soffici, Carlo Carra, Giorgio de Chirico, and on Dada/Surrealism. ...