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Index to Volume X (1976) Arthos, John Bagdanos, Theodore Berckman, Edward M. Collins, Patrick J. Corrigan, Beatrice Cox, John D. Keene, Donald Knapp, Bettina Lenz, Carolyn R. Lieblein, Leanore Muir, Lynette R. Norris, Margot Preston, Michael J. The Undiscovered Country . Liturgical Drama in Byzantine Literature . Brecht’s Quarrel with God: From Anti-Theodicy to Eschatology Typology, Criticism, and Medieval Drama: Some Observations on Method Italian Renaissance Drama in the Eighteenth Century . The Error of Our Eye in Troilus and Cressida Dramatic Elements in Japanese Literature . Crommelynck’s Farcical and Mythmaking Expressionism . The Allegory of Wisdom in Lyly’s Endimion Thomas Middleton’s Prodigal Play The Trinity in Medieval Drama . Myth and Neurosis in Ibsen’s Mature Plays The Robin Hood Folk Plays of South-Central England i 16 iii 200 ii 130 iv 298 ii 101 ii 147 iv 275 iv 314 iii 235 i 54 ii 116 i 3 ii 91 359 Shilstone, Frederick W. Byron’s “Mental Theatre” and the German Classical Precedent . . iii 187 Sohlich, W. F. Genet’s The Blacks and The Screens: Dialectic of Refusal and Revolutionary Consciousness . . iii 216 Staines, David To Out-Herod Herod: The Development of a Dramatic Character i 29 Stroup, Thomas B. “All Comes Clear at Last,” but “The Readiness is All” 61 Tennenhouse, Leonard Coriolanus: History and the Crisis of Semantic Order . iv 328 REVIEWS SPRING: The Drama of Black Africa, by Anthony Graham-White (Edward Callan). Tragic Theory in the Critical Works of Thomas Rymer, John Dennis, and Jch;. l>/ j ' u o u C. Grace, ana uryden's Classical Theory of Literature, by Edward Pechter (G. L. Anderson). The Comedies of Ariosto, trans. and ed. Edmond M. Beame and Leonard G. Sbrocchi (Beatrice Corrigan). Chekhov, 1860-1904, by Sophie Laffitte (J. L. Styan). SUMMER: The Theatrical Event: A Mythos, a Vocabulary, a Perspective, by David Cole (Natalie Crohn Schmitt). The Contemporary Spanish Theater (19491972 ), by Marion P. Holt (George Woodyard). Schiller’s Drama: Talent and Integrity, by lise Graham (Liselotte Dieckmann). The Marlovian World Picture, by W. L. Godshalk (William M. Jones). Off-Stage Voices: Interviews with Modern French Dramatists and Céline: Man of Hate, by Bettina Knapp, and The Contemporary French Theater, ed. Bettina Knapp (Marilyn Gaddis Rose). Comedy: The Irrational Vision, by Morton Gurewitch (Edward L. Galligan). FALL: The Pinter Problem, by Austin E. Quigley (Enoch Brater). Shakespeare’s Tragic Perspective, by Larry Champion (Rolf Soellner). Ironic Drama, A Study of Euripides’ Method and Meaning, by Philip Vellacott (Niki Stavrolakes). Artifical Persons: The Formation of Character in the Tragedies of Shakespeare, by J. Leeds Barroll (Joseph J. Moleski). Maurice Maeterlinck, by Bettina Knapp (Martin Schwarz). An Index of Characters in English Printed Drama to the Restoration, by Thomas L. Berger and William C. Bradford, Jr. (Christopher Spencer). WINTER: The Drama of Revolt: A Critical Study of Georg Buchner, by Maurice Benn and Brecht the Dramatist, by Ronald Gray (Enoch Brater). Sean O’Casey: The Man and His Work, by David Krause (Michael W. Kaufman). The Actor's Freedom: Toward a Theory of Drama, by Michael Goldman (Robert L. Smith). “Their Form Confounded” : Studies in the Burlesque Play from Udall to Sheridan, by Robert F. Willson, Jr. (Sidney Homan). Bertolt Brecht, by Claude Hill (Betty Nance Weber). 360 ...

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