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Contributors EARL G. SCHREIBER is Assistant Professor of English and Adjunct Assistant Professor of Theatre Arts at the State University of New York at Stony Brook. In addition to interests in medieval English literature, Professor Schreiber presently is translating Etienne Decroux’s Paroles sur le mime. CAROLYN PRAGER is an associate professor of English at Borough of Manhattan Community College, City University of New York. Her current interests lie in English Renais­ sance concepts of slavery as found in the drama. PATRICK J. COLLINS recently completed the doctoral pro­ gram in English at the University of California at Berkeley. His special research concern is medieval studies. MARVIN FELHEIM, who is Professor of English at the Uni­ versity of Michigan, also teaches in the American Studies program on that campus. He has written widely on literary matters, and earlier co-authored an article in Volume 4 of Comparative Drama. Professor Felheim at present is work­ ing with film and literature. DOUGLAS RADCLIFF-UMSTEAD is Director of the Center for Medieval and Renaissance Studies at the University of Pittsburgh. His books include The Birth of Modern Comedy in Renaissance Italy, Ugo Foscolo: Biographical and Critical Study, Italiano Oggi, and a translation of Foscolo’s Last Let­ ters of Jacopo Ortis. Currently a Guggenheim fellow, he also edits the University of Pittsburgh Publications in Medieval and Renaissance Studies. ...

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Additional Information

ISSN
1936-1637
Print ISSN
0010-4078
Launched on MUSE
2018-07-11
Open Access
No
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