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Index to Volume III (1969) Anderson, Farris Anderson, Peter S. Browne, E. Martin Cohn, Ruby Czerwinski, E. J. Folejewski, Zbigniew Giannetti, Louis D. Karlinsky, Simon Kaufmann, R. J. Krzyzanowski, Jerzy R. Johnston, Brian Levin, Harry Lindenberger, Herbert Sastre on Brecht: The Dialectics of Revolutionary Theatre . . iv 282 Shakespeare’s Caesar: The Lang­ uage of Sacrifice . . . i 3 A Last Look Round the English T h e a t r e ......................................ii 133 Absurdity in English: Joyce and O ’N e i l l ......................................iii 156 Aleksandar Popovic and Pop-Thea­ tre: Beyond the Absurd . iii 168 Dramatists in Search of Self: A Backward Glance . . . iii 210 The Theatre of Ruthless Metaphor: Polish Theatre Between Marxism and Existentialism . . . iii 176 A Contemporary View of The Duchess of Malfi iv 297 The Alogical and Absurdist Aspects of Russian Realist Drama . iii 147 E p ilo g u e ....................................iii 230 Theodicy, Tragedy and the Psalm­ ist: Tourneur’s Atheist’s Trage­ dy ........................................................iv 241 Witkiewicz’s Anthroponymy . iii 193 The Mythic Foundation of Ibsen’s R e a l i s m .....................................i 27 The End of Elizabethan Drama iv 275 Danton’s Death and the Conven­ tions of Historical Drama . ii 99 308 Marotti, Arthur F. Fertility and Comic Form in A Chaste Mind in Cheapside i Meyer, Robert T. The Middle-Comish Play Beunans M e r ia s e k ...................................... i Povey, John F. Wole Soyinka: Tw o Nigerian Comedies . . . . ii Roy, Emil The Archetypal Unity of Eugene O ’Neill’s Drama iv Shapiro, Michael Children’s Troupes: Dramatic Illu­ sion and Acting Style i Slights, William W. E. The Trickster-Hero and Middle­ ton’s A Mad World, M y Mas­ ters ............................................... ii Swann, Darius L. Indian and Greek Drama: Two Definitions . . . . ii Tam , Adam Witkiewicz, Artaud and the Theatre of Cruelty . . . . iii Tonelli, Franco From Cruelty to Theatre: Antonin Artaud and the Marquis de Sade . . . . . ii Wirth, Andrzej Brecht and Witkiewicz: Two Con­ cepts of Revolution in the Drama of the Twenties iii Woodyard, George W. The Theatre of the Absurd in Spanish America iii Commentary E. J. Czerwinski, Ivan Englich, (Theatre of the Martin Esslin, Jovan Hristic, Milan Absurd: Slavic Lasica, Aleksandar Popovic, Mar­ and Western) tin Porubjak, Leonard Pronko, Adam Tarn, Andrzej Wirth iii 309 65 54 120 263 42 87 110 162 79 198 183 219 ...

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