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Index to Volume II 1968 Berger, Harry Theatre, Drama, and the Second World : A Prologue to Shakespeare Troilus and Cressida: The Observer as Basilisk . . . . . . i ii 3 122 Bronson, David An Enemy of the People: A Key to Arthur Miller’s Art and Ethics iv 229 Corrigan, Robert W. The Achievement of Arthur Miller iii 141 Cutts, John P. Shadow and substance: Structural Unity in Titus Andronicus iii 161 Czerwinski, E. J. Dialog and the Socialist World: The Spectrum of Influence i 55 Fifield, Merle The Arena Theatres in Vienna Codices 2535 and 2536 . . . . iv 259 Fraser, Russell Elizabethan Drama and the Art of A b s t r a c t i o n ...................................... ii 73 Homan, Sidney R. The Uses of Silence: The Elizabethan Dumb Show and the Silent Cinema iv 213 Merserve, Walter J. and Ruth I. Ts’ao Yu: Dramatist in Communist China ii 115 Otten, Terry Ibsen and Albee’s Spurious Children ii 83 Rose, Marilyn G. Axel: Play and Hearsay iii 173 Roy, Emil Eugene O ’Neill’s The Emperor Jones and The Hairy Ape as Mirror Plays . i 21 Sanders, Barry Who’s Afraid of Jesus Christ?: Games in the Coliphizacio ii 94 Smoldon, William L. The Melodies of the Medieval ChurchDramas and Their Significance iii 185 Tung, Constantine Lonely Search into the Unknown: T ’ien Han’s Early Plays, 1920-1930 . . i 44 Velz, John W. Sovereignty in the Digby Mary Magdalene i 32 Williamson, M. L. The Masque of Hymen in As You Like It iv 248 283 ...

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