Abstract

Recovering a mostly forgotten collection of plays dating back to the turn of the nineteenth century, this article demonstrates how artists used Hamilton to consider critical moments in the nation’s passionate and often painful debates about race, citizenship, and belonging.

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Additional Information

ISSN
1553-0620
Print ISSN
0275-1275
Pages
pp. 271-278
Launched on MUSE
2017-05-24
Open Access
No
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