Abstract

Abstract:

Local, national, and global responses to Ebola contributed to have severe economic consequences during the outbreak in Guinea, West Africa, in 2014 and 2015. In this article, I utilize ethnographic fieldwork data gathered between 2014 and 2016 in the United States and Guinea to examine intersections between Ebola and drum-and-dance tourism camps. I highlight the formation and activities of the Guinea Arts Cooperative (GAC), a community-driven organization that raised funds for the social networks of Guinean expatriates living in Seattle, Washington. Finally, I position the GAC's work among a species of actions that involved leveraging the Ebola outbreak, and interrogate the ethical ramifications of the GAC and its activities.

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