Contributors
- Contributors
SCARLETT BARON is a Lecturer in the English Department at University College London. She is the author of "Strandentwining Cable": Joyce, Flaubert, and Intertextuality and several essays on Joyce and his relations to other modernist and postmodernist authors. She is currently completing a monograph that explores the prehistory of the notion of intertextuality in the works of Charles Darwin, Friedrich Nietzsche, and Sigmund Freud.
ROBERT BERRY is the Philadelphia-based cartoonist behind ULYSSES "seen," the ambitious project aimed at fully adapting Joyce's novel into a visual learning platform. His artworks have been shown in Bloomsday celebrations all over the world where they have helped to unite Joyce devotees both new and learned. He teaches at the University of Pennsylvania and occasionally gets the chance to make pretty pictures.
MAURIZIA BOSCAGLI is Professor of English and Comparative Literature at the University of California, Santa Barbara, where she teaches twentieth- and twenty-first-century literary and visual culture, critical theory, and gender studies. Her research interests include historical and new materialism, post-fordist work, corporeality, urban space, mobility, and the aesthetics of resistance. She is the author of Eye on the Flesh: Fashions of Masculinity in the Early Twentieth Century and Stuff Theory: Everyday Objects, Radical Materialism and co-editor, with Enda Duffy, of Joyce, Benjamin, and Magical Urbanism. She is the translator of Antonio Negri's Insurgencies: Constituent Power and the Modern State and is currently working on a manuscript on slowness, work, and the politics of not doing.
RICHARD BROWN is Reader in Modern Literature in the School of English at the University of Leeds, editor of the Blackwell Companion to James Joyce and founding co-editor of the James Joyce Broadsheet. Recent essays on Joyce include "Joyce's Single Act' Shakespeare" in Joyce/Shakespeare, edited by Laura Pelaschiar, "The Porters, Polypragmatic Paradigms, and Pseudoselves in III.4" in Joyce's Allmaziful Plurabilities, edited by Kimberly J. Devlin and Christine Smedley, and "Jarry, Joyce and the Apocalyptic Intertextuality of The Atrocity Exhibition" in J. G. Ballard: Landscapes of Tomorrow, edited by Richard Brown, Christopher Duffy, and Elizabeth Stainforth. The Finnegans Wake reading group he convenes in Leeds with Georgina Binnie has recently figured as part of Dora García's exhibition "These Books Were Alive; They Spoke to Me" at the Tetley Art Gallery in Leeds.
TIM CONLEY is Professor of English and Comparative Literature at Brock University in Canada. His most [End Page 471] recent books include the co-edited Doubtful Points: Joyce and Punctuation and A Long the Krommerun: Selected Papers from the Utrecht James Joyce Symposium and his authored Useless Joyce: Textual Functions, Cultural Appropriations (forthcoming in 2017 from the University of Toronto Press).
DENNIS DUNCAN is a British Academy Postdoctoral Fellow at the Bodleian Centre for the Study of the Book and a Junior Research Fellow at Jesus College, Oxford. He is writing a history of the book index, from the middle ages to the era of the Kindle. Publications include Tom McCarthy: Critical Essays and Theory of The Great Game, a selection of translations from the modernist little magazine, Le Grand Jeu.
JONATHAN P. EBURNE is Associate Professor of Comparative Literature and English at the Pennsylvania State University. He is the author of Surrealism and the Art of Crime, and coeditor of Paris, Modern Fiction, and the Black Atlantic, The Year's Work in the Oddball Archive, Leonora Carrington and the International Avant-Garde, and The Year's Work in Nerds, Wonks, and Neocons. He is founding coeditor of ASAP/Journal, the journal of The Association for the Study of the Arts of the Present and editor of the "Refiguring Modernism" book series at the Pennsylvania State University Press.
LEAH FLACK is Associate Professor of English at Marquette University. She specializes in comparative modernism (Irish, Russian, and Anglo-American), classical reception studies, and Irish literature. Her first book was entitled Modernism and Homer, and her second, James Joyce and Classical Modernism, is under contract with the Bloomsbury Press.
CATHERINE FLYNN is Assistant Professor of English at the University of California, Berkeley. Her essays on Joyce, Flann O'Brien, Surrealism, De Stijl, and Marxist criticism have appeared in the Journal of Modern Literature, European...
