Notes on Contributors
- Notes on Contributors
Jack Baker is a Tutor at Durham University, where he recently completed a PhD on the impersonal modes of Ezra Pound and Wallace Stevens.
Lucy Graham is a Postdoctoral Research Fellow at the University of the Western Cape, where she is working on two projects: one on post-‘rainbow nation’ culture, and the other on J. M. Coetzee and gender.
R. L. P. Jackson is retired. Formerly a Senior Lecturer in English at the University of Sydney, he is working on a book on Hamlet and the ‘dissociation of sensibility’. His article in this issue is part of this ‘work in progress’.
Conor McKee studied English Literature at Sidney Sussex College, Cambridge, winning the Mrs Claude Beddington and Cambridge Quarterly Prizes in finals. He is continuing to pursue his interest in Piers Plowman at Oxford and hopes to become a medievalist.
Noreen Masud is a doctoral researcher at the University of Oxford, working on Stevie Smith and the aphorism.
Jane Partner teaches at Trinity Hall and St John’s College in Cambridge, where her research interests concern the relations between literature and the visual arts from the early modern period to the present.
Jitka Štollová is a scholarship student at Trinity College, Cambridge. Her dissertation investigates the changing reputation and representation of Richard III in seventeenth-century literature. She has also published on early-modern paratexts and the London book trade. [End Page 296]
Michael J. Sullivan is a doctoral candidate at Trinity College, Cambridge. In 2015/2016 he was Rodney G. Dennis Visiting Fellow in the Study of Manuscripts at the Houghton Library, Harvard.
Kathryn Sutherland is Professor of Bibliography & Textual Criticism at the University of Oxford. Her Jane Austen’s Fiction Manuscripts (5 vols) is forthcoming from Oxford University Press in 2017. [End Page 297]
