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What Slaves We Are: narrative, trauma, and power in Kendrick Lamar’s roots
- Transition
- Indiana University Press
- Issue 122, 2017
- pp. 123-132
- Article
- Additional Information
Abstract
Natalie Graham examines the way Kunta Kinte is deployed in Kendrick Lamar’s kaleidoscopic take on the music industry, creative agency, and collective memory.
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