Abstract

abstract:

In this essay, Anthony Apesos discusses two of the illuminations in William Blake’s The Marriage of Heaven and Hell: an interlinear scene on plate 5 and a half-page illustration on plate 10. He argues that these depict episodes of dictation, referring to Milton and his dutiful amanuenses. They point to Blake’s later treatment of Milton in the poem named for him.

pdf

Additional Information

ISSN
1544-399X
Print ISSN
0018-7895
Pages
pp. 159-172
Launched on MUSE
2017-03-22
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.