Abstract

Frode Helland examines a series of Ibsen productions in Germany, Iran, China, Chile, and Zimbabwe, with the intention of demonstrating how changing political and cultural dispensations determine the context for directors’ use or misuse of the original text.

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Additional Information

ISSN
1712-5286
Print ISSN
0026-7694
Pages
pp. 118-120
Launched on MUSE
2017-03-05
Open Access
No
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