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Technologies of Dismemberment: Orpheus, Fascination, and Bulgarian Etnodzhaz
- TDR: The Drama Review
- The MIT Press
- Volume 61, Number 1, Spring 2017 (T233)
- pp. 99-113
- Article
- Additional Information
“Fascination” has long been used to describe the blinding attraction to a desired object/person that inspires acts detrimental to the self. As demonstrated by the story of Orpheus, there is a subtler way of looking at fascination where performance allows the subject to become both dismembered and dismemberer, a dynamic at play in Bulgarian etnodzhaz, whose musicians dismember and suture an imagined folk wellspring that fascinates them and their listeners.