Abstract

In May 2012, INHEPI — an international network of performance artists — produced a series of experiments with participatory performance. By evoking a range of recurrent spatial-imaginary models, their artistic practice facilitated a bridge between the dream of a postpolitical community and the political interruption of the tacit social structures of modern urban life.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 68-80
Launched on MUSE
2017-03-08
Open Access
No
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