Abstract

Abstract:

This essay argues that the immense and powerful reservoir of “ethnographic notes” is actually the Indigenous storyteller’s body of work. Focusing exclusively on the narratives of Carmel Indian Isabel Meadows about a Carmel woman named Estéfana Real, the lens of Athabascan scholar Dian Million’s “felt theory” establishes Isabel as a storyteller, scholar, and cultural activist who essentially uses Harrington as a note taker for communicating with future Indian communities through Indigenous storytelling strategies.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 373-401
Launched on MUSE
2016-12-21
Open Access
No
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