Leonardo Volume 49 and Leonardo Music Journal Volume 26

ADACHI, TOMOMI and WALSHE, JENNIFER. “Telepathic Concert,” Audio Track, “LMJ26 Audio Companion,” Leonardo Music Journal 26 (2016).

AHN, YEOHYUN and JIN, GE. “TYPE+CODE II: A Code-Driven Typography,” in Special Section “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13): Part 2,” Leonardo 49, No. 2 (2016).

AIKENHEAD, PAUL. “The Cowboy Junkies Realism Test,” Leonardo Music Journal 26 (2016).

ALACA, ILGIM VERYERI and YOLU, RUMELIFENERI. “Flexographıc Artists’ Books,” Leonardo 49, No. 3 (2016).

ANDEAN, JAMES. “A Temporal Basis for Acousmatic Rhythm,” Leonardo Music Journal 26 (2016).

ANDERSON, TIM J. “Listening to the Promise of a Better You: Considering the Instructional Record,” Leonardo Music Journal 26 (2016).

ANTUNES, RUI FILIPE. “On Computational Ecosystems in Media Arts,” in Special Section “Leonardo Abstracts Service: Top-Rated LABS Abstracts 2015,” Leonardo 49, No. 5 (2016).

ARESTY, ABBY. “The Listening Laboratory: On Playful Practice and Listening Machines,” Leonardo Music Journal 26 (2016).

BAE, ARRAM; PARK, DOHEUM; PARK, JUYONG; and AHN YONG-YEOL. “Network Landscape of Western Classical Music,” in Special Section “Arts, Humanities and Complex Networks, 2014,” Leonardo 49, No. 5 (2016).

BAETENS, JAN. Review of Art and Science: Works from the Collection of the Museu Nacional de Arte Antiga by Paolo Pereira, Leonardo 49, No. 5 (2016).

BAETENS, JAN. Review of Barry Le Va: The Aesthetic Aftermath by Michael Maizels, Leonardo 49, No. 3 (2016).

BAETENS, JAN. Review of Digital Shift: The Cultural Logic of Punctuation by Jeff Scheible, Leonardo 49, No. 1 (2016).

BAETENS, JAN. Review of The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing by Paul Stephens, Leonardo 49, No. 2 (2016).

BAETENS, JAN. Review of Reimagining Cinema: Film at Expo 67, edited by Monika Kin Gagnon and Janine Marchessault, Leonardo 49, No. 2 (2016).

BAETENS, JAN. Review of Softimage: Towards a New Theory of the Digital Image by Ingrid Hoelzl and Rémi Marie, Leonardo 49, No. 5 (2016).

BAETENS, JAN. Review of World Projects: Global Information before World War I by Markus Krajewski, Leonardo 49, No. 1 (2016).

BAHNG BOYER, BILL. “Sonic Commentary: All Ears,” Audio Compilation Introduction in “LMJ26 Audio Companion,” Leonardo Music Journal 26 (2016).

BARRASS, STEPHEN. “An Annotated Portfolio of Research through Design in Acoustic Sonification,” in Special Section “Practice-Based Research and New Interfaces for Musical Expression,” Leonardo 49, No. 1 (2016).

BEGUM, TASLIMA. “A Postcolonial Critique of Industrial Design: A Critical Evaluation of the Relationship of Culture and Hegemony to Design Practice and Education Since the Late 20th Century,” in Special Section “Leonardo Abstracts Service: Top-Rated LABS Abstracts 2015,” Leonardo 49, No. 5 (2016).

BERGSTROM, ILIAS and LOTTO, R. BEAU. “Soma: Live Musical Performance in which Congruent Visual, Auditory and Proprioceptive Stimuli Fuse to Form a Combined Aesthetic Narrative,” Leonardo 49, No. 5 (2016).

BOISVERT, HEIDI. “Echoing Narcissus: Bio-Adaptive, Game-Based Networked Performance,” in Special Section “Arts, Humanities and Complex Networks, 2014,” Leonardo 49, No. 5 (2016).

BONENFANT, YVON and RING, COX. “Masz,” Audio Track, “LMJ26 Audio Companion,” Leonardo Music Journal 26 (2016).

BOSCH, MAURA. “Hearing Music with the Ears of a Composer,” Leonardo Music Journal 26 (2016).

BRUCKER-COHEN, JONAH. Introduction and Art Gallery, Leonardo Special Issue: SIGGRAPH 2016 Art Papers and Data Materialities Art Gallery, Leonardo 49, No. 4 (2016).

BUDAK, ECE POLEN; ZIRHLI, ONUR; STOKES, ADAM A.; and AKBULUT, OZGE. “The Breathing Wall (Brall)—Triggering Life (in)animate Surfaces,” Leonardo 49, No. 2 (2016).

BURROUGH, XTINE. “Mediations on a Digital Workforce,” Leonardo 49, No. 5 (2016).

CAREY, BENJAMIN. “Artefact ‘Scripts’ and the Performer-Developer,” in Special Section “Practice-Based Research and New Interfaces for Musical Expression,” Leonardo 49, No. 1 (2016).

CASTELLANOS, CARLOS. “Symbiogenic Experience and the Emergent Arts: Cybernetics, Art and Existential Phenomenology,” in Special Section “Leonardo Abstracts Service: Top-Rated LABS Abstracts 2015,” Leonardo 49, No. 5 (2016).

CAVIGLIA, GIORGIO and COLEMAN, NICOLE. “Idiographic Network Visualizations,” in Special Section “Arts, Humanities and Complex Networks, 2014,” Leonardo 49, No. 5 (2016).

CETILIA, MARK. “Pulse Shape 22: Audiovisual Performance and Data Transmutation,” Leonardo Special Issue: SIGGRAPH 2016 Art Papers and Data Materialities Art Gallery, Leonardo 49, No. 4 (2016).

CLAUS, JÜRGEN. “Salut au Monde!,” editorial, Leonardo 49, No. 5 (2016).

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