Dickens Quarterly Checklist
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Secondary Sources
Alshhre, Ali Mohmmad. “Charles Dickens’s A Madman’s Manuscript: Madness and Its Aspects.” Studies in Literature and Language 12.6 (2016): 85–92. DOI: http://dx.doi.org/10.3968/n
Atchison, Theresa. “Accessories to the Crime: Mapping Dickensian Trauma in Great Expectations and A Tale of Two Cities.” Fashion Theory 20.4 (2016): 461–73. DOI: http://dx.doi.org/10.1080/1362704X.2015.1088742
Cohen, Richard. How to Write Like Tolstoy: A Journey Into the Minds of Our Greatest Writers. London: Random House, 2016. ISBN:978–0812998306. [CD]
Damkjær, Maria. Time, Domesticity and Print Culture in Nineteenth-Century Britain. Houndmills, Basingstoke: Palgrave MacMillan, 2016. ISBN: 978-1349712984.
Dickens Quarterly 33.3 (September 2016). [Contents: Ruth Richardson, “Dickens, Dick and Dido: Oliver Twist and the Opera at Home”: 173–200; Yael Halevi-Wise, “Unflattening Mrs. Micawber”: 201–22; Kathy Rees, “Reading Edmund Gosse’s Father and Son (1907) through a Dickensian Lens”: 223–43; Andrew Mangham (Rev. Dickens and the Business of Death): 244–46; Tony Williams (Rev. The Uncommercial Traveller): 246–49; Sarah Gates (Rev. The Value of the Novel): 249–51; Leonee Ormond (Rev. The Victorian Novel and the Space of Art: Fictionalized Form on Display): 252–54; Mary L. Shannon (Rev. George Augustus Sala and the Nineteenth-Century Periodical Press: The Personal Style of a Public Writer): 255–57; “Dickens Society 22nd Annual Symposium ‘Interdisciplinary Dickens’”: 258–59; Clare |Horrocks and Kim Edwards Keates, “Dickens Quarterly Checklist”: 260–63.
Hamdan, Mohammed. “Liberating the Classroom: The Artistic Teaching of Gender in Nineteenth-Century Literature Courses at An-Najah National University.” Nineteenth-Century Gender Studies 12.2 (2016): Online journal <http://www.ncgsjournal.com/issue122/hamdan.htm> [HT]
Huguet, Christine and Paul Vita, eds. Unsettling Dickens: Process, Progress and Change. Paris: Sagittaire, 2016. ISBN: 978-2917202326. [Contents: Michael Hollington “Foreword: On the Road”: 13–18; Christine Huguet and Paul Vita, “Introduction: Unsettling Dickens”: 20–29; Simon J. James, “Charles Dickens, Mental Time-Travelling and Autobiographical Memory”: 33–54; Gilbert Pham-Thanh, “Trial and Terror in Satis House: Great Expectations of Institutional Masculinity”: 55–77; Jacqueline Fromonot, “Fluid Mechanics in David Copperfield”: 78–98; Michael Hollington, “An Ecstasy of Impatience: Some Notes on Travel in Sketches by Boz”: 101–09; Isabelle Hervouet-Farrar, “‘Drawn to the Loadstock Rock’: Travelling Towards Imprisonment and Death in A Tale [End Page 340] of Two Cities”: 110–30; Ray Crosby, “‘The Weakest Pilgrim Going’: Pilgrimage in Charles Dickens’s Great Expectations”: 131–56; Francesca Orestano, “‘Tramps’: Dickens’s Modern Rhapsody”: 157–92; Michael Slater, “Dickens’s Shakespeare”: 195–209; Clémence Follea, “Crossing Thresholds: The Aesthetics of an Urban Experience, from Oliver Twist to The Wire”: 210–34; Louisa Hadley, “From London to Sydney to Bougainville: Post-colonial Dickensian Gentlemen”: 235–57.]
Martín Algere, Sara. “Between Brownlow and Magwitch: Sirius Black and the ruthless elimination of the male protector in the Harry Potter series.” Universitat Autònoma de Barcelona, 2016. DOI: http://ddd.uab.cat/record/163545. [OT, GE]
Moore, Ben. “The Dolls’ Dressmaker Re(ad)dressed: Jenny Wren’s Critique of Childhood, Femininity, and Appearance.” Victorian Literature and Culture 44.3 (2016): 473–90. DOI: http://dx.doi.org/10.1017/S1060150316000103
Oulton, Carolyn W. de la L., Dickens and the Myth of the Reader. New York: Routledge, 2016. ISBN: 978-1138230323
Parkins, Wendy. “Silkworms and Shipwrecks: Sustainability in Dombey and Son.” Victorian Literature and Culture 44.3 (2016): 455–71. DOI: http://dx.doi.org/10.1017/S1060150316000115
Pittard, Christopher. “The Travelling Doll Wonder: Dickens, Secular Magic, and Bleak House.” Studies in the Novel 48.3 (2016): 279–300. DOI: 10.1353/sdn.2016.0042
Représentations: La revue électronique du CEMRA (June 2016). [Contents: Marie-Amélie Coste, Christine Huguet and Nathalie Vanfasse, “Introduction: Dickensian Landscapes”: 1–7; Paul Schlicke and William F. Long, “Foreword: Dickens, Landscape and Memory”: 8–17; Marianne Camus, “Dickens and Modern Landscape Painting”: 18–32; Nathalie Jaëck and Xavier Amelot, “Dickens’s Pioneering Rhetoric of Landscape”: 33–52; Mark Frost, “Journeys through Nature: Dickens, Anti-Pastoralism and the Country”: 53–71; Françoise Dupeyron-Lafay, “Uncanny Connected Vessels: the...
