Algerian Imprints: Ethical Space in the Work of Assia Djebar and Hélène Cixous. By Brigitte Weltman-Aron. New York: Columbia University Press, 2015.
Approaches to Teaching Sand’s “Indiana.” Edited by David A. Powell and Pratima Prasad. New York: Modern Language Association of America, 2016.
Armed Ambiguity: Women Warriors in German Literature and Culture in the Age of Goethe. By Julie Koser. Evanston, IL: Northwestern University Press, 2016.
The Astral H. D.: Occult and Religious Sources and Contexts for H. D.’s Poetry and Prose. By Matte Robinson. New York: Bloomsbury Academic, 2016.
Baptist Women’s Writings in Revolutionary Culture, 1640–1680. By Rachel Adcock. Women and Gender in the Early Modern World. Burlington, VT: Ashgate, 2015.
Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton. Edited by Mary Chapman. Montreal: McGill-Queen’s University Press, 2016.
Beyond the Cloister: Catholic Englishwomen and Early Modern Literary Culture. By Jenna Lay. Philadelphia: University of Pennsylvania Press, 2016.
Documenting the Undocumented: Latino/a Narratives and Social Justice in the Era of Operation Gatekeeper. By Marta Caminero-Santangelo. Gainesville: University Press of Florida, 2016.
E. Œ. Somerville and Martin Ross: Female Authorship and Literary Collaboration. By Anne Jamison. Cork: Cork University Press, 2016.
The Edge of Worlds. By Martha Wells. New York: Night Shades Books, 2016.
The Enigma of Iris Murphy. By Maureen Millea Smith. Livingston, AL: Livingston Press, 2016.
Fashion and Fiction: Self-Transformation in Twentieth-Century American Literature. By Lauren S. Cardon. Cultural Frames, Framing Culture. Charlottesville: University of Virginia Press, 2016.
Female Piety and the Invention of American Puritanism. By Bryce Traister. Literature, Religion, and Postsecular Studies. Columbus: Ohio State University Press, 2016.
Feminist Moments: Reading Feminist Texts. Edited by Susan Bruce and Katherine Smits. Textual Moments in the History of Political Thought. New York: Bloomsbury, 2016. [End Page 555]
The Fiction of Valerie Martin: An Introduction. By Veronica Makowsky. Baton Rouge: Louisiana State University Press, 2016.
The Future of Silence: Fiction by Korean Women. Edited and Translated from Korean by Bruce and Ju-Chan Fulton. Brookline, MA: Zephyr Press, 2016.
A History of Twentieth-Century American Women’s Poetry. Edited by Linda A. Kinnahan. Cambridge: Cambridge University Press, 2016.
If God Meant to Interfere: American Literature and the Rise of the Christian Right. By Christopher Douglas. Ithaca, NY: Cornell University Press, 2016.
Indecent Exposure: Gender, Politics, and Obscene Comedy in Middle English Literature. By Nicole Nolan Sidhu. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2016.
In Other Words. By Jhumpa Lahiri. Translated from Italian by Ann Goldstein. New York: Alfred A. Knopf, 2016.
Jayne Cortez, Adrienne Rich, and the Feminist Superhero: Voice, Vision, Politics, and Performance in U. S. Contemporary Women’s Poetics. Edited by Laura Hinton. Lanham, MD: Lexington Books, 2016.
The Lost Garden. By Li Ang. Translated from Chinese by Sylvia Li-Chun Lin with Howard Goldblatt. Modern Chinese Literature from Taiwan. New York: Columbia University Press, 2016.
Love Highway. By Stephanie Dickinson. New York: Spuyten Duyvil, 2015.
Lydia Ginzburg’s Prose: Reality in Search of Literature. By Emily Van Buskirk. Princeton: Princeton University Press, 2016.
Memory at Bay: A Novel. By Évelyne Trouillot. Translated from French by Paul Curtis Daw. Caribbean and African Literature Translated from French. Charlottesville: University of Virginia Press, 2015.
Memory, War, and Dictatorship in Recent Spanish Fiction by Women. By Sarah Leggott. Lewisburg, PA: Bucknell University Press, 2015.
The Message of the City: Dawn Powell’s New York Novels, 1925–1962. By Patricia E. Palermo. Athens, OH: Swallow Press, 2016.
A Notorious Woman: Anne Royall in Jacksonian America. By Elizabeth J. Clapp. Charlottesville: University of Virginia Press, 2016.
Opening Acts: Narrative Beginnings in Twentieth-Century Feminist Fiction. By Catherine Romagnolo. Frontiers of Narrative. Lincoln: University of Nebraska Press, 2015.
Poisonous Muse: The Female Poisoner and the Framing of Popular Authorship in Jacksonian America. By Sara L. Crosby. Iowa City: University of Iowa Press, 2016.
Policing Gender and Alicia Giménez Bartlett’s Crime Fiction. By Nina L. Molinaro. New Hispanisms Cultural and Literary Studies. Burlington, VT: Ashgate, 2015. [End Page 556]
Selected Poems of Edna St. Vincent Millay. Edited by Timothy F. Jackson. New Haven, CT: Yale University Press, 2016.