Abstract

A cursory look at different examples of activist and community-based performances in Singapore, Colombia, and more detailed analyses of two recent participatory theatre productions in the Czech Republic and the Netherlands reveal that models that distinguish community art from avantgarde art in the East and the West resist categorization.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 92-107
Launched on MUSE
2016-11-23
Open Access
No
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