Hume’s Dialogues and the Redefinition of the Philosophy of Religion

HUME'S DIALOGUES AND THE REDEFINITION OF THE PHILOSOPHY OF RELIGION GEORGE ScHNER, S.J. Regis College Toronto, Ontario HETHER ONE IS rethinking the content of a course and the place of one's study in the context of a broader curriculum, or whether there is a moment of fundamental questioning which grows out of rereading a classic text or engaging in contemporary debates, such moments of questioning are essential. This essay proposes one of those simple and general questions: in what does the work of the philosophy of religion consist? My consideration of the question, as will become evident, is an exercise in prolegomena, and after this brief introduction there will be two parts to my essay in which the context for a full answer to the question will be explored, before a summary conc1usion will propose an agenda for ful1ther work. Though concept clarification is essential to philosophical reflection, attention to historical development is of equal importance. The two inner parts of this essay will give attention to both, first by discussing a specific texrt and ,author, and then by sorting out some fundamental matters of definition. My choice of a classic text and context is David Hume's Dialogues Concerning Natural Religion.1 Such a choice is not to imply that the philosophy of religion begins there or that Hume's notion of either philosophy or religion is: somehow normative. On the contrary, I am entering rthe story in mid1 Dialogues Oonoerning Naturai Religion, ed. R. H. Popkin (Cambridge: Hackett Publishing Co., 1980). References will be indicated within the text by page number. 88 84 GEORGE SCHNER, S.j. stream and am not of the mind that any philosophy is definitive . However, I wish to propose a reading of Hume's text which can be very helpful not only to understand what he is about but also to encourage a rethinking of what the philosophy of religion should be about. Simply as a text, Hume's Dialogues is intriguing. He withheld its publication on the advice of seveml of his friends and continued to revise it until his death, altering nearly every page styJistica1ly and substantively changing all hut four sections . :Before he died, he ensured that his nephew David would have the work published and was busy with some of the most lengthy additions to the text in the last months before his death.2 The work and its contents dearly remained a matter of importance and preoccupation for Hurne, and both the contents and form of the text present essentials of Hume's mature thought. The apparent meandering of the text, as a dialogue among the characters Cleanthes, Philo, and Demea, belies its careful construction. Despite Cleanthes' accusation that Philo proposes his notions in a " rambling way," the logic of the text is a masterpiece of exposition, movement, internal reference, and cumulative rhetorical effect. David Livingston has recently discussed the dialect~cal and narrative character of Hume's writing considered in general as a philosophy of "common life." 3 Hume is seen as both the critic of false philosophy and the artificer of the true by means of the application of his principles of the association of ideas, of nrutural beliefs, of sympathy . In both efforts, Livingston finds Hume increasingly employing narrative aocounts and dialectical argument as he develops his ,thought, until in the Dialogues "inquiry is cut free of all systematic constraints and allowed to proceed on its own." 4 I find the insight into Hume's paradigmatic use of 2 These and other details concerning the Dialogues can be found in Ernest C. Mossner, The Life of David Hume (Oxford: Clarendon Press, 1980). s D. W. Livingston, Hume's Philosophy of Comm01~ Life (Chicago: University of Chicago Press, 1984), esp. chapter two. 4 Livingston, 43. HUME .AND PHILOSOPHY OF RELIGION 85 the narrative structure of historical inquiry a helpful clue, but I wouJd modify Livingston's assertion of the abandonment of systematic constraints in the Dialogues. Hume's corrective of speculative systems does not mean that his own text is devoid of a logic or ol'der quite in keeping with the demands of narrative structure, common life, and the past-entailing aspects...