The Programmable Image of Capital: M-I-C-I′-M′ and the World Computer
Abstract

The selfie and fractal celebrity have become the obverse of what Sylvia Federici calls the system of global apartheid. These results of a financialized attention economy index a shift in the character of both labor and the commodity form towards screen mediated code-work and networked valorization. We can thus rewrite the labor theory of value in relation to image and code, and hypostasize the totalitarian aspirations of capitalism in the notion of “the world computer.” While traditional ontologies are devoured by the new order of value production and extraction, remainders that may be resources for transformation, exit, and defense persist everywhere.