Abstract

This essay draws on Slavoj Žižek and Jacques Lacan to explore the dynamics of fantasy, desire, and enjoyment in Eleanor Catton’s The Rehearsal, emphasizing the novel’s irreducibility to a postmodernist funhouse.

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 91-108
Launched on MUSE
2016-09-12
Open Access
No
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