Abstract

After seventeen-years as dramaturg with choreographer Ralph Lemon, Katherine Profeta understands the dramaturg’s role as a “quality of motion.” In the five compelling chapters of Dramaturgy in Motion—text and language, research, audience, movement, and interculturalism—Profeta’s writing mirrors “the dramaturg’s frequent travels from theory to practice and back again – until, in motion, the distinction blurs.”

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Additional Information

ISSN
1920-941X
Print ISSN
0315-0836
Pages
pp. 79-81
Launched on MUSE
2016-09-11
Open Access
No
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