In lieu of an abstract, here is a brief excerpt of the content:

  • Color Insert

Click for larger view
View full resolution
Plate 1.

James R. Brandon’s kabuki extravaganza Narukami the Thundergod, University of Hawai‘i (1987). Strongman Goto Mototeru (Mike Hase) confronts Narukami the Thunder-god (Steve D. Wagenseller) in the finale. James R. Brandon, translator and director; Onoe Kikunobu, choreography; Yamada Chie and Ricardo Trimillos, musical direction. (Photo: James R. Brandon)


Click for larger view
View full resolution
Plate 2.

Dalang Asep Sunandar Sunarya (1955–2014) performs a ruwatan, a ritual performance of Sundanese wayang golek, the rod puppet theatre of West Java. (Photo: Arthur Nalan)


Click for larger view
View full resolution
Plate 3.

Dalang Asep Sunandar Sunarya was famed for his dancing of the refined male, Machtal, at the opening of each performance. (Photo: Arthur Nalan)


Click for larger view
View full resolution
Plate 4.

Chen Qiaoru performing Shui Ta and Shen Teh in Good Woman/Bad Woman. (Photo: Chengdu Chuanju Company)


Click for larger view
View full resolution
Plate 5.

In The Good Person of Jiangnan, the freeloaders convince Shen Teh (middle performed by Mao Weitao) to invent a cousin to protect the silk shop by using hip-hop style and rap gestures. (Photo: Zhejiang Xiao Baihua Yueju Company)


Click for larger view
View full resolution
Plate 6.

The yueju production of The Good Person of Jiangnan presents the Haipai culture style, with its elaborate costumes and magnificent sets and props. (Photo: Zhejiang Xiao Baihua Yueju Company)


Click for larger view
View full resolution
Plate 7.

An image from the first part of Made in Bangladesh regarding the garment industry in Bangladesh. (Photo: Wonge Bergmann)


Click for larger view
View full resolution
Plate 8.

The second part of Made in Bangladesh (the “sweatshop” of a dance studio in Europe). (Photo: Wonge Bergmann)

...

pdf

Additional Information

ISSN
1527-2109
Print ISSN
0742-5457
Pages
pp. Color Insert 1-Color Insert 4
Launched on MUSE
2016-08-09
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.