Abstract

“[Gordon] Lish’s editing of “Fat” works to cut the story down by paring any detail or event that could be thought excessive. [Raymond] Carver’s sentences ramble less in Lish’s edited version, and the story begins to develop a staccato rhythm that would predominate in the prose style of What We Talk About.”

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Additional Information

ISSN
2327-5898
Print ISSN
0007-8069
Pages
pp. 1-23
Launched on MUSE
2016-06-28
Open Access
No
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