This essay examines the moral dimension of Jewish survival during the Holocaust as portrayed in the Salamandra sextet by YehielDinur, known as “Ka-Tzetnik 135633.” Critics such as Omer Bartov and Iris Milner observea collective process of social and moral disintegration among Ka-Tzetnik’s characters — reflecting factual occurrences familiar from the work of survivors and scholars, such as Primo Levi, EugenKogon, or Wolfgang Sofsky. My close reading of Ka-Tzetnik’s novels, in contrast, suggests that Salamandra (1946), House of Dolls (1953) and Piepel (1961) abound in acts that demonstrate how solidarity and humanity were retained among Jews in the camps and ghettos. Furthermore, following James Phelan’s recent work on literary ethics, I show that this type of acts is in fact accentuated in the novels’ rhetorical design, which constructs the author’s moral viewpoint as the upholding of spiritual and moral values in resistance to the Nazi genocide.


Additional Information

Print ISSN
pp. 275-298
Launched on MUSE
Open Access
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.