Contributors
- Contributors
Amanda Ann Klein is associate professor of film studies in the English Department at East Carolina University. She is author of American Film Cycles: Reframing Genres, Screening Social Problems, & Defining Subcultures (University of Texas Press, 2011) and coeditor of the forthcoming Multiplicities: Cycles, Sequels, Remakes, Spin-Offs, and Reboots in Film and Television (University of Texas Press, 2016). Her scholarship on film and television has been published in Jump Cut, Quarterly Review of Film and Video, Flow, Antenna, Avidly, Salon, New Yorker, and numerous edited anthologies.
Sarah Kozloff is professor of film at Vassar College holding the William R. Kenan Jr. Chair. She works on narrative theory, cinematic dialogue, and questions of authorship. Her books include The Life of the Author, Best Years of Our Lives, and Overhearing Film Dialogue.
Nicolle Lamerichs holds a PhD in media studies from Maastricht University. Her doctoral thesis, “Productive Fandom” (2014), explores intermediality and reception in fan cultures. She is on the faculty of communications and journalism at HU University of Applied Sciences, Utrecht. Her research focuses on participatory culture and new media, specifically the nexus of popular culture, storytelling, and play.
Casey J. McCormick is a PhD candidate at McGill University, completing a dissertation on TV finales, digital distribution, and social viewing practices. She has contributed to Time and Television Narrative (University of Mississippi Press, 2012) and has forthcoming contributions to The Netflix Effect: Technology and Entertainment in the 21st Century (Bloomsbury, 2016) and a special issue of Participations: International Journal of Audience Research (2016). Casey teaches cultural studies courses at McGill and is a cofounder of SCMS’s Fan and Audience Studies Scholarly Interest Group.
Justus Nieland is professor of English at Michigan State University, where he teaches in the Film Studies Program. He is the author of David Lynch (University of Illinois Press, 2012) and Feeling Modern: The Eccentricities of Public Life (University of Illinois Press, 2008), and coauthor, with Jennifer Fay, of Film Noir: Hard-Boiled Modernity and the Cultures of Globalization (Routledge, 2010). He is coeditor of the Contemporary Film Directors series at the University of Illinois Press. [End Page 176]
