Abstract

In Deaf West’s Broadway revival of Spring Awakening, embodied gestures expose and challenge representational and infrastructural norms that drive commercial musical theatre. The company’s blend of ASL and spoken text extends the overarching message about failed sociocultural ideals to the realm of deaf culture. Micro-practical actions and interactions function tacitly to denaturalize audio-centric standards that guide theatrical reception, internal cueing, and technical production.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 145-153
Launched on MUSE
2016-05-28
Open Access
No
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