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  • Contributors

Mollie Barnes is an Assistant Professor in the Department of English, Theater, and Liberal Studies at the University of South Carolina Beaufort. She specializes in nineteenth-century transatlanticism. Her current book project—“Unifying Ambivalence: Transatlantic Histories, Italian Temporalities”—studies “problem” texts written by Anglo-American expatriates during the Risorgimento and the Unification of Italy. “Unifying Ambivalence” argues that Anglo-American writers’ complex representations of revolutionary and post-revolutionary Italy transform not only our understanding of historiography, temporality, and nationhood in literary texts, but also our very reading practices within nineteenth-century scholarship.

Andrea Gazzaniga is Assistant Professor of English at Northern Kentucky University. Her publications on Victorian poetry include “Crowded Parlors and Dark Defiles: Space and Male Appropriation in Meredith’s Modern Love (Kentucky Philological Review, 2015) and “Collaborative Space and the Poetics of Enclosure in Michael Field’s Underneath the Bough” (Victorians Institute Journal, 2104). She has also published a book chapter on women in Western films. She is currently working on a book-length study tentatively titled, Michael Field and the Queer Sublime.

Andrew Hodgson received his Ph.D. from the University of Durham in 2014 for a study of lyric voice in the poetry of Clare, Hopkins, and Edward Thomas. He currently teaches at Durham.

Helen Luu is Assistant Professor of English Literature at the Royal Military College of Canada (Kingston, Ontario). She is currently completing a book manuscript that re-theorizes the dramatic monologue through nineteenth-century women poets.

A. J. Nickerson is currently writing a Ph.D. at the University of Cambridge on poetic patterning in nineteenth- and twentieth-century poetry. [End Page 119]



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