Contributors
- Contributors
Julian Arribas is Professor of Spanish and Chair of the Department of Foreign Languages and Literatures at the University of Alabama at Birmingham. He has published a critical edition of Luis Gálvez de Montalvo’s El pastor de Fílida (Albatros-Hispanófila, 2006), Temas de retórica hispana renacentista (UNAM, 2000), and a critical edition of Jorge de Montemayor’s Los siete libros de la Diana (Támesis, 1996).
Conxita Domènech is Assistant Professor of Spanish at the University of Wyoming and Assistant Managing Editor of Hispania. She has published two books: La Guerra dels Segadors en comedias y en panfletos ibéricos: Una historia contada a dos voces (1640-1652) and Letras hispánicas en la gran pantalla: De la literatura al cine. Prof. Domènech has also co-edited three collective volumes.
Borja Gama de Cossío is a Ph.D. candidate at the University of Massachusetts Amherst. His dissertation focuses on the role of female community in three early-modern religious women: Teresa de Cartagena, Sor María de Santo Domingo, and Saint Teresa of Ávila.
Andrew Gray (Ph.D., Harvard U) teaches Spanish language and Hispanic literature at St. Paul’s School in Concord, New Hampshire. His research concerns humanism in early modern Iberia, baroque poetics, and Hispanic intellectual history. He has authored a book manuscript on the theater of Calderón.
Chad Leahy is Assistant Professor of Spanish at the University of Denver. His research interests include Lope de Vega’s epic and lyric, the rhetoric of urban representation, and the politics of Jerusalem in Early Modern Spain. He has published articles in Anuario Lope de Vega, Bulletin of Spanish Studies (forthcoming), Cervantes, Criticón, Hispanic Review (forthcoming), Revista de Literatura Medieval, and Romance Notes, and an edition of Villegas’ Vida de Isidro labrador (in Lemir). [End Page 125]
Andrew Lemons is Assistant Professor of English at Clemson University. He has co-edited The Battle of Lepanto (Harvard UP), an edition of Neo-Latin poetry which includes the first edition of Juan Latino’s major poem, Austrias Carmen. His forthcoming book, Strange English, concerns early formulations of poetic otherness in Medieval English literature.
Carmen Peraita is Professor of Romance Languages at Villanova University. Her current research focuses on Early Modern print culture, the history of the book and reading practices. She has published articles in Renaissance Quarterly, Variants, Bulletin of Hispanic Studies, and Perinola, among others.
Xavier Tubau is Assistant Professor of Hispanic Studies at Hamilton College. He specializes in Renaissance intellectual history and Golden Age Spanish Literature. He is author of two books: Una polémica literaria: Lope de Vega y Diego de Colmenares (2007), and Erasmo mediador. Política y religión en los primeros años de la Reforma (2012). Currently, he is writing a book about political propaganda during the empire of Charles V.
Felipe Valencia (Ph.D., Brown University) is Assistant Professor of Spanish at Utah State University. His book project, The Melancholy Void: The Problem of Lyric in the Age of Góngora interprets the transformation of Hispanic poetry at the turn of the seventeenth century in light of the interest in melancholy as the condition of the poet and the emergence of lyric as a defined category in poetic theory.
Juan Vitulli is Associate Professor of Iberian and Latin American Literature at the University of Notre Dame. He has published Instable Puente. La construcción del letrado criollo en la obra de Juan de Espinosa Medrano (U of North Carolina P, 2013), an annotated edition of Espinosa Medrano’s comedia Amar su propia muerte (CSIC, 2011) and co-edited Poéticas de lo criollo (Corregidor, 2009). His current book project is titled “The Baroque Spanish Preacher.” [End Page 126]
