Abstract

By situating the first feast scene of the Lincoln Thornton manuscript’s Alliterative Morte Arthure in its local and historical contexts, this article argues for a reassessment of current critical assumptions concerning attitudes towards the ‘Oryent’ and supposedly ‘exotic’ material culture in late medieval England.

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Additional Information

ISSN
1934-1539
Print ISSN
1078-6279
Pages
pp. 165-179
Launched on MUSE
2016-04-12
Open Access
No
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