Abstract

Erica L. Ball examines the way violence in McQueen’s film upsets conventional narratives of slavery and presents a discomfiting portrait of black life as subject to persistent threat of terror.

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Additional Information

ISSN
1527-8042
Print ISSN
0041-1191
Pages
pp. 175-186
Launched on MUSE
2016-04-07
Open Access
No
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