Contributors
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Katja Lindskog is a lecturer in English at Yale University. Her Ph.D. was awarded by Columbia University in 2014 and focused on the relationship between historiography and visual culture in Victorian literature. Her current book project draws substantially on that dissertation and is titled The Distance Effect: Images of the Past in the Nineteenth Century.
Beatrice Sanford Russell is a postdoctoral fellow at the University of Southern California. She is working on a book project currently titled The Experience of Repetition: Aesthetics after Curiosity.
Rebecca D. Soares is an honors faculty fellow at Barrett, the Honors College at Arizona State University. Her current book project, Immaterial Print: Spiritualism and Nineteenth-Century Transatlantic Literature, argues that the nineteenth-century popular practice of spiritualism provides a metaphor for transatlantic communication and literary circulation. Her article “Literary Graftings: Hannah Crafts’s The Bondwoman’s Narrative and the Nineteenth-Century Transatlantic Reader” won the 2010 VanArsdale Prize given by the Research Society for Victorian Periodicals and was published in Victorian Periodicals Review.
Joshua Taft is an assistant professor of English at the University of Central Missouri. His research examines the relationship between Victorian poetry and religion, particularly issues of secularization, aesthetics, and literary form.
Daniel Williams is a junior fellow in the Society of Fellows at Harvard University. He has published essays on Thomas Hardy, John Ruskin, and J. M. Coetzee, among others. He is currently working on a book about uncertainty in the nineteenth-century British novel, in connection with developments in science, philosophy, and intellectual history. [End Page 475]
