Abstract

Beyond commemoration, beyond the boundaries of historical determination, “Haiti” is here taken as the name of a productive locus for thinking the dynamics of Francophone circulation. The article constructs an anachronistic cross-reading of Baudelaire’s “Spleen” poems and Coriolan Ardouin’s “Moi-même.”

pdf

Additional Information

ISSN
1931-0234
Print ISSN
0014-0767
Pages
pp. 40-51
Launched on MUSE
2016-04-04
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.