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Reviewed by:
  • Sleep No Moredir. by Felix Barrett and Maxine Doyle, and: Something Rotten!by Karey Kirpatrick and John O’Farrell
  • Dan Venning
Sleep No MorePresented by Emursiveand Punchdrunkat The McKittrick Hotel, New York City, New York. First Preview 03 7, 2011. Directed by Felix Barrett and Maxine Doyle. Designed by Felix Barrett, Livi Vaughan, and Beatrice Minns. Choreography by Maxine Doyle. Sound by Stephen Dobbie. Lighting by Felix Barrett and Euan Maybank. Costumes by David Israel Reynoso. With Miguel Anaya, Phil Atkins, David Botana, Marc Cardarelli, Evelyn Chen, Evan Copeland, Joaquim de Santana, Mallory Gracenin, Adam Griffith, Ginger Kearns, Marissa Maislen, Annie Rigney, Elizabeth Romanski, Paul Zivkovich, and others.
Something Rotten!Presented at the St. James Theatreon Broadway, New York City, New York. First preview 03 23, 2015. Book by Karey Kirpatrick and John O’Farrell. Music and Lyrics by Wayne Kirkpatrick and Karey Kirkpatrick. Directed and choreographed by Casey Nicholaw. Sets by Scott Pask. Costumes by Gregg Barnes. Lighting by Jeff Croiter. Sound by Peter Hylenski. With Brooks Ashmanskas (Brother Jeremiah), Peter Bartlett (Lord Clapham/Master of the Justice), Christian Borle (Shakespeare), Heidi Blickenstaff (Bea), John Cariani (Nigel Bottom), David Hibbard (Francis Flute/Eyepatch Man), Stacey Todd Holt (Peter Quince), Brian d’Arcy James (Nick Bottom), Aaron Kaburick (Robin), Austin Lesch (Tom Snout), Brad Oscar (Nostradamus), Kate Reinders (Portia), Michael James Scott (Minstrel/Snug), Brian Shepard (Yorick/Shakespeare’s Valet), Gerry Vichi (Shylock), and others.

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The vast majority of Shakespearean productions presented today in the US are created by educational, not-for-profit, or festival theaters. Occasionally, Broadway commercial revivals are staged—usually for limited runs, and almost always featuring major celebrities like Ethan Hawke, Orlando Bloom, or Denzel Washington. Yet now there are two commercial adaptations of Shakespeare in New York: Sleep No More, an immersive show based on Macbeth, and Something Rotten!, a Broadway musical comedy that quirkily imagines what it might have been like to be one of Shakespeare’s rival playwrights in London in the 1590s. These two shows are both in open runs and have achieved significant commercial and critical success. Emursive and the British theater company Punchdrunk’s Sleep No Morehas been running for four-and-a-half years, after productions in Boston and London; Ben Brantley called it “a voyeur’s delight, with all the creepy, shameful pleasures that entails” ( New York Times, 13 April 2011, Web). Something Rotten!, with a book by Karey Kirpatrick and John O’Farrell, and music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, was nominated for Tony and Drama Desk awards for best new musical, best book of a musical, and direction and choreography by Casey Nicholaw, as well as for performances by its leading actors Brian d’Arcy James, John Cariani, Brad Oscar, and Christian Borle; Borle won both the Drama Desk and Tony for his featured performance as Shakespeare.

Both Sleep No Moreand Something Rotten!have achieved commercial success by adapting the aura of “Shakespeare” into something easily accessible to a broad base of popular audiences. This has largely been accomplished through the removal of Shakespeare’s own words, since his verse and sometimes archaic language can make the plays feel difficult or elitist to some audience members. Sleep No Moreand Something Rotten!achieve their commercial success by filtering Shakespeare through other popular forms (an immersive boozy nightclub, or a musical comedy) [End Page 158]and by reconfiguring the aesthetics of Shakespeare’s dramatic structure. For most critics, it is primarily Shakespeare’s depth of characterization, revealed through the language spoken by his characters, that continues to captivate; only occasionally does he solely rely on spectacle to entertain. Sleep No Moreand Something Rotten!turn these aesthetics on their head, focusing on the spectacular—both visual and auditory—in order to enthrall audiences.

My attendance at Sleep No Moreon Friday 23 October 2015 marked the third time I had seen the show. The first time was in 2011, about a month after it opened. I went again in January 2013, this time to review the show for the CUNY Advocate. In that review, I called the show “an immersive processional experience...

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Additional Information

ISSN
1931-1427
Print ISSN
0748-2558
Pages
pp. 157-165
Launched on MUSE
2016-03-23
Open Access
No
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