Abstract

This essay explores ways in which Tardi’s adaptation marks the otherwise apolitical narrative with historical indicators. Through the comics medium and the prolific use of shifting signifiers and monikers, the text grapples with the uneasy notion of a national identity threatened by Nazi occupation and the legacy of WWII.

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Additional Information

ISSN
1925-5683
Print ISSN
0027-1276
Pages
pp. 73-92
Launched on MUSE
2016-03-07
Open Access
No
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