Abstract

German dance director Helena Waldmann’s Made in Bangladesh (2015) explores how capitalism’s drive for optimization and profit has adverse effects on Bangladeshi workers and European dancers. The choreography and multimedia highlight similarities between the precarious existences of the two groups, but the production does not address the racial and economic disparities.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 150-156
Launched on MUSE
2016-03-04
Open Access
No
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