Abstract

The dramaturgical aesthetic of recent postdramatic performance returns to medieval representational modes: an eye can be used as an ear, and vision can be orchestrated like the auditory space of simultaneous relations. Whether an immersive, site-specific, one-to-one, or digital/new media performance, such performance has no one point of view, no “one” in control; success or failure is largely determined by individual and collective will. Closing the loop means beginning, again, in non-Euclidian space.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 93-115
Launched on MUSE
2016-03-04
Open Access
No
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