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Dismemberment and the Attempt at Re-membering in R. D. Laing’s The Bird of Paradise
- Literature and Medicine
- Johns Hopkins University Press
- Volume 33, Number 2, Fall 2015
- pp. 393-418
- 10.1353/lm.2015.0017
- Article
- Additional Information
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Despite renewed interest in the radical psychiatrist R. D. Laing (1927–1989), his The Bird of Paradise (1967), published in a single volume with The Politics of Experience, has received scant scholarly attention. Characterized largely as odd, it has even been read as a sign that Laing, deeply sympathetic to the mad, had himself gone crazy. Eschewing biographical criticism, I focus rather on the problem of assigning Bird to a genre (and the significance of this difficulty). Finding the capacious prose poem genre the most appropriate category, I take Bird seriously as a complex literary text, offer an overview of it, relate it to Politics and 1960s counterculture, and attend to Laing’s ambivalent attitude towards writing. Bird, I argue, represents an attempt—albeit an ultimately unsuccessful one—at overcoming what Laing understands as alienated self-division (“dismemberment”) through a reaching towards wholeness (a “re-membering” of the self).