Abstract

Geoffrey Chaucer frequently depicts the emotions of his characters via the outward physical signs of the body, and he often does so using a discourse that draws on Galenic theories. A striking example of Chaucer’s medicalized descriptions of emotion is his adaptation of the suicidal impulse associated with lovesickness. Chaucer reconstructs this motif in “The Knight’s Tale” and The Book of the Duchess by altering his sources (Boccaccio, and Froissart and Machaut) to anatomize the emotional body of the suffering knight. Through the medicalized language of bodily health describing emotional upheavals, other characters and the reader are prompted to feel with and begin to understand and appropriately respond to the suffering individual. This reading shows Chaucer using moments of embodied emotional examination to teach his audience how to read, interpret, and respond to literature.

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